The Three of Coins shows two men singing the Gregorian Chant, an abbot who is stroking his chin, a six-pointed star from an architectural feature that I multiplied into the three that you see, and an arched hallway. Sometimes these images are from an accompanying story, so there isn't a representation of someone specific. Quite a few of the people in the Lua Tarot are anonymous or unidentified, like this abbot. All that is identified about the other two people in the collage is that they are doing a Gregorian Chant. I put this all together, similar to the RWS Three of Pentacles, under an arch, but with three six-pointed stars it reflects the Hermetic “as above, so below” adage. The idea is that the collaboration of the Three of Pentacles can be spiritual AND material.
The meaning of participating in a project with one's community is highlighted. We can almost hear the chanter’s chant being amplified and carried down the hall. The abbot listens carefully to their voices. He’s the director, a master of his craft, refining skills. He reflects the Master Worker, which is connected to the Three of Pentacles card. FYI: I should mention (if you don’t have the deck) that some of the ideas above are written about in the booklet. It’s just that the “In the Card” section couldn’t fit into the 160 pages I had for Lua Tarot (which is still an in depth Little Booklet!) My other projects had full sized companion books, which allowed me to explore my process and write more in depth. I do set up what’s in the image in the Lua Tarot booklet briefly! There’s just not the specific, “who is that?” But in a lot of cases, I don’t know who, as they are not identified. However, there’s still my creative process and some backstory that I can explore further, as I did above.
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